
Omar Rodriguez-Lopez from Mars Volta has released a new movie at International Film Festival Rotterdam.

Sex and drugs(?) and smoking and trying to read a book in my Micky Mouse sweater and pouring water on the ground and Lindsay Lohan and falling asleep and getting drawn on and some disco ball I found and intense sexy music and more smoking, oh, and Channel stuff…

It’s a micro-documentary coming out soon about Windsor (by Eric Boucher) and how everyone’s doing these days after the automotive market exploded…

This is a crop from an older issue of ‘boards magazine. It’s a really cool concept illustrated by Brazil based firm Molho. They seem to focus on motion graphics and film, which is evident in the way they approach their print work. More images after the jump.

A beautiful video done by Danish painter-turned-director for IKEA. They must have footed a pretty serious travel bill, shots from all over the world. You can watch it, along with some of his other work here.
via: Esquire UK

Good interview with multidisciplinary artist Allison Schulnik.
Via: Fecal Face

Man, I love me some Sufjan Stevens. And I love me some hula-hooping girls too. Apparently writing great music just isn’t enough for him anymore. Two thumbs up.
excerpt from THE BQE - A Film by Sufjan Stevens

The End is a flickr photo pool strictly about end title sequences from movies. Sometimes funny, other times just plain cool; The End is definitely worth a look if you’re into typography, film, or dreamy ladies applying lipstick.

Helvetica filmmaker’s latest project focuses on the world of industrial design. Check out the trailer on the film’s site. Screenings will take place as part of the Hot Docs festival in Toronto on May 3rd and 4th.

Sita Sings the Blues weaves together Flash animation, original watercolor paintings and rotoscoping techniques in this colorful, modern-day take on an ancient Indian epic. This feature-length, computer-generated animated film was rendered entirely by a single animator - Nina Paley, working out of her home office.